DR. DRE

DR. DRE More than any other doorknocker, Dr. Dre was responsible for moving away from the avant-noise and political stance of Public Enemy and Boogie take out Productions, as well as the party vibraphone of hoary school rap. Instead, Dre pioneered gangsta rap and his own variation of the sound, G-Funk. BDPs primeval albums were hardcore but cautionary tales of the criminal mind, but Dres records with N.W.A. noted the hedonistic, amoralistic location of gang life. Dre was never much of a rapper -- his rhymes were innocent and his delivery was slow and clumsy -- but as a producer, he was extraordinary. With N.W.A.

he melded the noise collages of the Bomb team with unsporting rhythms. On his own, he reworked George Clintons elastic funk into the self-styled G-Funk, a slow-rolling variation that relied more on sound than content. When he leave N.W.A. in 1992, he founded Death Row Records with Suge Knight, and the cross out quickly became the dominant force in mid-90s hip-hop thank to his debut, The Chroni...If you destiny to get a full essay, order it on our website: OrderCustomPaper.com

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