The Rumba Dance Essay examples -- Afro-Cuban, Cuba

The rhumba is a dance that rivets its image on the mind. memory much history, it has been and is a dance of oppositions love and hate, hostility and harmony, sensuality and prudence. Musically, it lights-out into the realms of technicality and improvisation. The dance and music is a marvel, leaving a lewd taste in its trail so that a natural proclivity towards it never fades. The origins of the rhumba stem from Africa. The steps and song of traditional comicba may have begun as remembered pieces of dance from the Ganga or Kisi people in Cuba, generalized groups of West Central African descent. Some prospect that the Sara peoples of northerly Nigeria are the originators of rumba, a similar dance is of rows of boys in front of rows of girls, orgasm one another in movement and then separating. In current Zaire, a traditional BaKongo dance called vane samba appears to directly cerebrate to rumbas progenitors. A characteristic highlight occurs when the bodies of a dance pair meet, or al roughly meet at the navel. This movement mirrors the rumbas vacunao, a prominent feature in some forms of rumba. The divulge rumba possibly derives from the Spanish language, the word rumbo translates to route, rumba translates to heap pile, and rum is of course the liquor popular in the Caribbean. Any of these words susceptibility have been used descriptively when the dance was being formed. The name has most often been claimed to be derived from the Spanish word for carousel, or festival. Rumba authentic in the 1850s and 1860s among free black slaves gathered to express their struggles with one another. future(a) the abolition of slavery in Cuba in 1886, poor Cubans dealt with a indian lodge still emphasizing color and class, by... ...national dance. As a native Afro-Cuban scarcely put, This will never die. Nothing can stop it (Farr 80).Works CitedPrez Jr., Louis A. On Becoming Cuban. Chapel Hill The University of North Carolina Press, 1999.Daniel, Yvonne. Rumba move and Social Change in Contemporary Cuba. Bloomington Indiana University Press, 1995.Farr, Jory. Rites of Rhythm. New York HarperCollins Publishers, 2003.Shepherd, Verene A., and Hilary McD. Beckles., ed Caribbean slavery in the Atlantic world. Kingston, Jamaica Ian Randle, Oxford James Currey, Princeton, NJ M. Weiner, 2000.Moore, Robin Dale. Nationalizing black Afrocubanismo and Artistic Revolution in Havana, 1920-1935. Diss. U of Texas at Austin, 1995. Ann Arbor UMI, 1995. 9534899. Roy, Maya. Cuban Music. Trans. Denise Asfar and Gabriel Asfar. London Latin America Bureau, 2002.